Women Writers Week 2019

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This week, all of our content on the site is written by women. We’ll update this table of contents page with links to new pieces as they go up.

ESSAYS 

Welcome to Women Writers Week 2019 by Chaz Ebert and Nell Minow 

You Do Not Have to Be Good: On Mary Oliver’s Wild Geese by Joyce Kulhawik 

Just Us Girls: The Chatty Chick Flicks of the ’90s by Olivia Collette 

Sexualized Innocence: Revisiting The Blue Lagoon by Abbey Bender

Plugging Back into The Matrix, 20 Years Later by Violet LeVoit 

The Oral History of Documentary Now’s Co-op Episode by Allison Shoemaker 

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Video Interview: Brie Larson, Lashana Lynch, Anna Boden and Ryan Fleck on Captain Marvel by Katherine Tulich 

Dark Manipulations on The Silence of the Lambs and Sicario by Valerie Kalfrin 

How Phoebe Waller-Bridge’s Killing Eve Invites Us to Live Out Our True-Crime Fantasies by Kristy Puchko 

A Great Endeavor: Todd Douglas Miller on Apollo 11 by Nell Minow 

Nobody’s Meat: The Power of Hanna by Laura Bogart 

Thank You, George Cukor and Mitchell Leisen – With Props to Ryan Coogler by Carrie Rickey 

REVIEWS

Captain Marvel” by Christy Lemire

ARCHIVAL REVIEWS

Call Me By Your Name” by Christy Lemire

Can You Ever Forgive Me?” by Monica Castillo

Columbus” by Sheila O’Malley

45 Years” by Susan Wloszczyna

Happy as Lazzaro” by Tomris Laffly

The Last Face” by Christy Lemire

Metallica Through the Never” by Sheila O’Malley

Stella’s Last Weekend” by Nell Minow

Support the Girls” by Allison Shoemaker

Susanne Bartsch: On Top” by Monica Castillo

Then Came You” by Nell Minow

The Wild Pear Tree” by Tomris Laffly

Wonder Woman” by Angelica Jade Bastien

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr…

Welcome to Women Writers Week 2019

An introduction to Women Writers Week 2019.

The Right Side of History: Backstage at the 91st Academy Awards

A report from the Oscar press room at the 91st Academy Awards.

Sexualized Innocence: Revisiting The Blue Lagoon

A look at how The Blue Lagoon both exploited and created the public persona of Brooke Shields, and how it plays 37 ye…

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